Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts

Monday, January 18, 2010

Interview with Jon Cone


Recently, I was ask by my employers Sous Les Etoiles to conduct an interview with Jon Cone to appear in the quarterly newsletter. He was nice enough to reply with some great insight, information and stories. Jon is a very interesting and accomplished man, having worked with many artist over the years and creating a new printmaking system called Piezography which Sous Les Etoiles used in the printing The Cities of Jean-Michels Berts.

Apparently Jon is a lobster man as well.

Here is the interview in it entirety.

Enjoy!

Wednesday, December 2, 2009

Ever Evolving


Barn and Pond, Dan Burkholder, 2009

Photography has forever been a process that has been done in steps. In the beginning it was time consuming and, given the chemistry involved, dangerous. However, as the medium evolved the steps became few and the time and chemistry involved decreased. With the advent of digital photography, the process became almost instantaneous. Almost, because those pixel pictures still need to make it off the camera and on to paper, or now as it seems in most cases, the Internet. This requires that a photo be sent or uploaded. Since camera phones have been around, that has been easy, but the photos low quality and not so hot. That has now changed. With smart phones becoming smarter and their cameras becoming stronger, the ability to take, process and output an images has be come something that can be done with a single device in a short time.

Enter The iPhone.

This device is used by many people in many ways. With no shortage of applications it can be tailored to fit the individual's wants and needs. In the case of Dan Burkholder that is a one stop photo shop. He captures, processes and, I images, outputs his images to his site all from his iPhone. And now he is even offering workshops to that end.

Where does this leave the purest? Gasping for breath and trying to keep up. Photography has, since it's invention, been an ever changing medium that is constantly reinventing it self. It pulls from other artistic mediums and, since it is seen by many as the place where art meets science, why wouldn't it pull from there as well. In the early days it was with the elaborate chemicals and processes that were utilized to create images. It is as if photographers such as NiƩpce, Daguerre, Fox Talbot, Herschel and even Bostic and Sullivan, are part artist, part 'mad scientist.' It seems only natural that as we move out of the industrial era and into the digital age, photography should follow. And so it has. We have seen Agfa close and Apple take over; waved good bye to Kodachrome (sorry Paul Simon) and said hello to 50 mega pixels. But unlike the industrial era where bigger is better, in the digital age pocket size is the right size. And so photography has followed. Cameras are getting smaller and smaller while allowing for fine details. The iPhone has allowed that process to go one further. Acting as a mini computer, it allows the user to snap, process and output all with one device. Gone are the days of development, D-76 or Lightroom. It can now be done in the palm of one's hand.

Does these mean it is over for the super computers used to work on large digital files? Never. Thought photography has evolved though it's various stages, none of them seem to be truly gone. There are those still working in many of the antique process such as wet collodion, daguerreotypes, platinum/palladium and others despite the time and harsh chemistry needed. And thought there has been a drop off in the products available for sliver gelatin printing, it like the others, will never be truly gone. So it will be for digital photography as we know it today. Photoshop is in its eleventh revision. Each version of Photoshop could be seen (and is by some) as its own individual expression of the medium. So while we look at those working with platinum/palladium now as working in an antique process, our children may see those working or experimenting in Photoshop versions 7, CS and CS3 as working with past antiquated mediums. Who's to say,but it can be said that the one constant in photography is not 67 degrees but that it is an ever changing medium that never fails to be inspired by current technology and amaze with the collaboration of science and creativity.

Saturday, November 14, 2009

The Cities

Thursday night was the open of The Cities of Jean-Michels Berts at Sous Les Etoiles Gallery. This is an exclusive series printed in carbon ink. This entire exhibition was printed in house by me. I am happy to say the photograph and many others were very please with my work. I enjoyed printing this images in an edition of 5. It brought me back to my time in the darkroom. The process, thought it is digital, is quite close to working with wet prints in that the 'dodging and burning' is very evident. The difference thou is the amount of control on has with digitally adjusting and image and the tonal range of the process. The 7k ink systems allows for a tonal range close to that of platinum/palladium printing. It is quite subtly beautiful and worth seeing in person. The show will be on exhibit though January 2010.

Saturday, November 7, 2009

John van der Schilden


This week I had the pleasure of working with Canadian photographer John van der Schilden. He has shot for various magazine and has made an appearances on Canada's Next Top Model as a guest judge. He is a great guy and has some really awesome images. The spared Show Stoppers, in the October 2009 issue of Flare is a beautiful redeclaration of a behind the scenes of a movie shoot. Check out John in action in this Flare produced video.

Wednesday, June 17, 2009

The Edge is an Interesting Place.





Based on what some of my Ladies with Lenses said, I have noticed an 'outside looking in' kind of feeling to a lot of my photographs. I do seem to be the observer of my family and in a way a self proclaimed black sheep. As much as I have wanted to feel totally included I always have felt more on the edge then in the thick of things. This has more to do with me in many ways then my cousins, for reasons I am not quite sure. I will have to go back and look at the last year to see what I can find that speaks to this.

Tuesday, June 9, 2009

The great edit


I have sorted thought my 506 first round picks from my shooting over the last year, and while I am not done ( I got it down to 98) and I know I have missed some good ones. I don't really know what I want to make from all of it. There are many different routes I could go. For instances, I have quite a few photos of my father. I also have many photos of my family at gatherings, that is what i thought I wanted to document from the start. But then there are still photos from around the house and other places I go that I like, so I don't want to discount them. Here are a few from the selection.



Friday, June 5, 2009

my two cents

I have been thinking lately about how I need to start doing more with my images. I feel I now have some, not all, of the tools to do that. This being said I hope to post more photographs here and start doing what I said I would at the beginning of the year, to post once a week. I have lots of new images, but it seems to be find the time to sit down and go through that that is the hard part. I hope/ plan to change that in the coming month or two. It all starts with making a promise to my self to make some changes and doing my best to live up to it. So there is my two cents.

Monday, February 9, 2009

Being Like

I went to Yancy Richardson today to see David Hilliard's show 'Being Like.' I love David Hilliard, however, I must say that I was a bit disappointed with this show. First off, I think Yancy is a great space but there are never enough images to satisfy my want to see and Hilliard's work being large takes up a lot of real estate. In total there were only about 7 or so images. That being said they were all new images that I had not seen before and I found that very enjoyable.

The work kept with Hilliard's exploration of what is considered masculine, but I felt while all of the image were beautiful and done in his signature style, some had a more contrived feeling that I am not used to seeing in Hilliard's work.

Bleeder

This image, Bleeder is just such an example. While I like the image and I think it does raise questions about what a adolescent boy might struggle with when faced with conflicting ideas of masculinity, it lacked that subtlety of some Hilliard's earlier images.


Boys Tethered

The show didn't totally have this feeling of over contrived images. Boys Tethered and Letting go of the Day had that feeling of Hilliard walking in on a moment that his earlier images of his father have. While I will say that Boys Tethered is contrived, it to me doesn't have the same push over the top as Bleeder does.

Letting go of the Day

What I did noticed about the work is Hilliard has really expanded his pallet since his book in 2005. While many of those images were of young boys and men, these images had children and in once case Of a Certain Temperance a heterosexual couple in a sexual situation.



Of a Certain Temperance

And he is expanding his format. One image, Ransom Turned Around, was in the for of a cross, not the typical panoramic 3 frame format Hilliard is know for.


In all I did really enjoy the show, it was a great opportunity to see one of my favorite artist's work up close and personal. To see how someone chooses to mount and frame their images is always interesting. I look forward to seeing more new work from Hilliard and do hope he comes out with another book. There are many great image on his website that I would like to see in print, since I can't see them all on a wall at once.

Wednesday, September 10, 2008

Things for Sale in Small Town

So I have started my new project. This whole thing came about from me driving around and noticing in the back of my mind that there were a lot of things, mostly cars, on people lawns for sale. That got me to thinking on our current economic crisis and gas issues. So I thought I would go and see what I could find. This is only one shoot, I plan to go out again later today to a few places were I know there are more things and a big more variety. I don't want this to be just about car, I plan to look for other things, such as firewood or, as on of my cousins told me, bunnies. I'll see what I can find. But I would like some feed back on what shots seem to be working best. I have not done any work on these images as my photoshop program is on the fritz.
Black Volvo and White Bayliner, 186 E. High St., East Hampton, CT


White Bayliner, 186 E. High St., East Hampton, CT



Grey F250, Intersection of Lake Dr. and E. High St., East Hampton, CT


Blue Blazer, 12 Portland Resevoir Rd. East Hampton, CT



Red F150, Intersection of Hebron Rd. and Blackledge Dr., Marlbrough, CT



Grey Blazer, 157 W. Main St, Hebron, CT

Tuesday, November 13, 2007

flu[XX] MFA Thesis Show

Come out some time in the next two weeks and check out my MFA thesis show. Thanks to all those who helped with it along its long road.
November 12-26
Alexander Hall,668 Indian St, Savannah, GA.
Reception to be held on November 16th from 5-7 pm

Gender is not a reflection of one’s biological make up, but a construction based on the society in which they live, and the ideas and values of that society. Individuals choose various signifiers to tell others what groups they choose to identify with.

Flu[XX] explores the capacity for a single being to navigate between the external expressions of their ever shifting, multi-faceted, (self) identification. Simply by not subscribing to the standard square or rectangular format, this work exists out side of the traditional uses within the medium of photography. Through digital manipulation and collaging, it challenges the single image. The multifaceted constructions relates back to the constructed nature of gender and its various subtleties and nuances. This work falls into its own undefended place between dualisms of traditional photography.

Saturday, November 10, 2007

Atlanta Open Studio Night 11.08.2007

It seems to be becoming a tradition for SCAD grad students from Savannah to head out to Atlanta in the fall to see some great work and hang out with their counter parts in the Big Peach.

That was the case on Thursday November 8th when SCAD Atlanta hosted the Fall Open Studio Night. The even was well attended and just a much fun this year as it was last year, even if the students from Savannah were a bit underrepresented. We, some of my fellow grad students and I, went to check out our work in the juried show as well as try to see the ever awesome Steve Aishman (shown here with Sav turned Alt grad Denise Lira).


After checking out the awesome works and having a little chat with Tom Fischer, we met up with Atl grad student Walker Pickering who thought it would be great to interview us for their website PhotoAwesome.com (keep checking to see highlights of the night). This lead to a great dinner with Walker, David Allen Jones and a few others. The conversation revolved around the two departments and general comparison between them. It was a great way to meet some new cool folks and have a few contacts in Atlanta. I look forward to hearing from these guys and see what they come up with on PhotoAwesome. I hope they can make it to Savannah in the spring for our Open Studio Night (here's me hoping we have one and do as great a job as the Atlanta program has!)
Here are a few instillation shots of some of the great photography we saw.

Steffanie Halley

Shana D'Attilio


Katie Wright

Thank to the Atlanta grad students and Steve Aishman for a great show. Don't for get to check out PhotoAwesome.com and SCADPhoto.